Why our top actors are flocking to this tiny theatre
The Orange Tree Theatre in Richmond, southwest London, has become a beacon for renowned actors, despite its modest 190-seat capacity. In the past three years, a who's who of British theatre has graced its stage, including Patricia Hodge, Jane Asher, Roger Allam, Greta Scacchi, Anna Chancellor, Charles Dance, Geraldine James, Robert Bathurst, and Freddie Fox. A recent benefit show featuring Ian McKellen at the larger Richmond Theatre raised over £100,000, highlighting the theatre's appeal and impact.
Tom Littler, the Orange Tree's artistic director, attributes this success to the theatre's intimate setting and its commitment to producing exciting and diverse shows. He emphasizes the importance of bringing actors and audiences together in a close-knit environment, allowing for a unique and memorable experience. This approach has attracted big-name actors like David Suchet and Allam and Fox, who will star in a rep of King Lear and Richard II in 2027.
Littler's leadership has been instrumental in shaping the theatre's reputation. He has a keen eye for talent, securing the involvement of celebrated director Blanche McIntyre and actors like Suchet, Hodge, and Dance. His academic background, with three degrees in English, Classics, and 18th-century English literature, adds depth to his programming choices, ensuring a rich and varied season. The theatre's focus on revivals and new work, dating back to its founding in 1971, has also contributed to its appeal.
Despite the theatre's small size, Littler ensures it remains a desirable destination for actors, offering cut-price tickets and a warm, welcoming atmosphere. He understands the importance of balancing artistic vision with financial sustainability, often spending time fundraising to support the theatre's operations. His dedication to the craft and his ability to foster a collaborative environment make the Orange Tree Theatre a sought-after destination for both actors and audiences alike.
The theatre's upcoming productions, including 'The Dance of Death' and 'Murder in the Cathedral,' further solidify its reputation for high-quality theatre. With Littler's leadership and the theatre's unique charm, the Orange Tree continues to attract top talent and build a loyal following, ensuring its place as a cornerstone of British theatre.
